Howard Lydecker
Howard Lydecker

  

Voyage to the Bottom of the Sea


When Miniatures Were Big. Continued (3).

  

Theodore Lydecker
Theodore Lydecker

Martian ship from Commando Cody.    
bluebul_reversed.gif - 877 Bytes  As mentioned, the Lydeckers got their models to fly by guiding them along supporting lengths of dulled piano wire.   Film grain, camera motion, editing, careful lighting and selective choice of takes effectively obscured these wires.  The technique was used to good effect for the Flying Sub's airborne sequences in Voyage as demonstrated below . . . bluebul.gif_large_down.gif - 992 Bytes 
Above photos copyright Republic Pictures and Jack Mathis Advertising

. . . as well as for many underwater shots in the series.  If you look  closely at the photo to the right, bluebul.gif - 266 Bytes
you can see vestiges of the control wires, particularly to the front of the model.  In addition to previously mentioned factors, the reduced definition of American television at the time of Voyage's initial airing, generally rendered these wires undetectable.  These effects still look great today.
 Flying Sub    

Courtesy Bob Burns  

    Thanks to producer and media historian  Bob Burns for these  photos of the original Flying Sub miniature used in filming Voyage.   The fine guide wires were threaded through narrow tubes (blue arrows) which ran horizontally through the right and left sides of the model. 


    When pulled taut, the wires supported the miniature, which could then be "flown" against the backdrop of the sky or plunged into the effects Lake.  Gravity propelled the model and camera motion implied banks and turns.  Note the eyelet on the front end of the model (red arrow) to the right.  bluebul.gif - 266 Bytes
  Courtesy Bob Burns   
An additional wire could be fastened to the eyelet when the model needed to be pulled upward, such as for filming scenes of FS-1 emerging from the water.  For more photos and information on Bob Burns' FS1 model plus photos of the interior mockup,  Go to Bob Burns' FS1 Model

L.B. Abbott
L.B.Abbott
    Flying Sub launch.
    When special effects man L.B. Abbott came on board to do the Voyage TV show (he had of course done the special-effects work for the Voyage movie), Howard Lydecker was available, and with a bit of courting, came on board in Season One as a consultant and to oversee model construction. 




     Learn more about the Lydecker brothers in the most comprehensive chapters yet written about them in the fabulous REPUBLIC CONFIDENTIAL: VOLUME 1--THE STUDIO by Jack Mathis.  If you want to tune in on one of the truly great studios, and certainly the producer of the best serials and their fabulous special effects, you'll want this book.  No, you need this book!

---Michael Bailey
    ------------------------

Howard and Theodore with the Dick Tracy Flying Wing model

Copyright Republic Pictures and Jack Mathis Advertising


Read more about shooting effects miniatures the old fashioned way at Modern Mechanix dot com.  Link through for some pretty cool, well written stuff, circa 1935.

bluebul.gif - 266 BytesGo to Special Effects-L.B. Abbott 
bluebul.gif - 266 Bytes Return to Special Effects Central


(1)
Minatures
and
Models

(2)
Rear
Screen
Projection

(3)
Mechanical
Special
Effects

(4)
The
Green
Tank

(5)
More
Effects
Models

(6)
Sfx
Octo
Attack

(7)
Sfx
Deadly
Creature

(8)
Miniature
Special
Effects

(9)
More
Effects
Minatures

10)
Even More
Effects
Minatures

(11)
L.B
Abbott

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Arrows courtesy  freemo_designs.gif - 1188 Bytes

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