|  Howard 
      Lydecker
 |  | 
        
        
          | 
              
              
                | 
                  
                    
                    
                      | Voyage 
                        to the Bottom of the Sea 
                        
                         
 
                          
                          
                            | When Miniatures Were Big. 
                              Continued 
                              (3). |  |  |  |  |  |  Theodore 
      Lydecker
 | 
  
  
    |  |  | 
        
        
          |  As mentioned, 
            the Lydeckers got their models to fly by guiding them along 
            supporting lengths of dulled piano wire.   Film grain, 
            camera motion, editing, careful lighting and selective choice of 
            takes effectively obscured these wires.  The technique was used 
            to good effect for the Flying Sub's airborne sequences in Voyage 
               
                    
                        
                        
                       
                 as demonstrated below . . .   |  | 
  Above photos copyright Republic Pictures and Jack 
  Mathis Advertising 
  
  
  
    | 
        
        
          | .       
                       
                      
                    . . as well as for many underwater shots in the 
            series.  If you look  closely at the photo to the right,  you can see            
                    
         vestiges of the control wires, particularly to the 
      front of the model.  In addition to previously mentioned factors, the 
      reduced definition of American television at the time of Voyage's initial 
      airing, generally rendered these wires undetectable.  These effects still look great 
      today.
 |  |  |   | 
  
  
    |  |  |  | 
        
        
          |     Thanks to producer and media historian   
Bob Burns         for 
            these      
                     
                       
                  photos of the original Flying Sub miniature used 
            in filming Voyage.    
                     
                       
                       
                      
                       
                  
           The fine guide wires 
            were threaded through narrow tubes (blue 
            arrows) which ran horizontally through the right and left 
            sides of the model.  
       |  | 
  
  
    | 
        
        
          | When pulled taut, the wires 
            supported the miniature, which could then be "flown" against the backdrop 
            of the sky or plunged into the effects Lake.  Gravity 
            propelled the model and camera motion implied banks and 
            turns.  Note the eyelet on the front end of the model (red arrow)       
                       
                      
                     
                        
            to the right.   |  |  |  |  | 
        
        
          | An additional wire could be fastened to the 
            eyelet when the model needed to be pulled upward, such as for 
            filming scenes of FS-1 emerging from the water.  For more photos and information on Bob Burns' FS1 
            model plus photos of the interior mockup,  Go to Bob Burns' FS1 Model |  | 
  
  
    | 
      
        
        
          |  
 L.B.Abbott
 |  |  |  
 | 
  
  
    | When special effects man L.B. 
      Abbott came on board to do the Voyage TV show (he had of course 
      done the special-effects work for the Voyage        
                     
                   
              movie), Howard Lydecker was available, 
      and with a bit of courting, came on board in Season One as a 
      consultant and to oversee model construction. | 
  
  
    | 
        
        
          | 
              
              
                | 
                    
                    
                        |  
                                 Learn more about the Lydecker 
                            brothers in the most comprehensive chapters yet 
                            written about them in the fabulous REPUBLIC 
                            CONFIDENTIAL: VOLUME 1--THE STUDIO by Jack 
                            Mathis.  If you want to tune in on one of 
                            the truly great studios, and certainly the producer 
                            of the best serials and their fabulous special effects, 
                            you'll want this book.  No, you need 
                            this book! 
 ---Michael Bailey
 ------------------------
 
 |  |  |  |  | 
        
        
          |  |  
          | Copyright Republic Pictures and 
            Jack Mathis 
  Advertising |  | 
  
    |  | Read more about shooting effects miniatures
        the old fashioned way at Modern Mechanix dot com.  Link
        through        for some pretty cool, well written stuff, circa 1935. | 
 Back to Voyage Home 
Page
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Page
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    | 
 
        
        
          | "Voyage to the Bottom of the Sea" ® is a registered 
            trademark of Irwin Allen Properties, LLC.  © Irwin Allen 
            Properties, LLC and Twentieth Century Fox Film Corporation. All 
            rights 
    reserved. |  |