Voyage to the Bottom of the Sea Episode Guide, Year Four, Shows
17-20 Production information and notes by Mark Phillips
Story synopses, Mike
Bailey |
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Nightmare (Airdate:
January 28, 1968) STORYLINE
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Piloting the flying
sub on a systems check, Crane spots a UFO he assumes is a falling
satellite, then receives an urgent message from Nelson indicating
that something has boarded the sub; the Admiral is cut off
mid-word. Crane returns to Seaview to find her cloaked
in shadow. Hatches close and lock behind him, herding
him through the ship; force fields strike him, he hears phantom
orders on speaker |
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missiles be prepared for firing. He
eventually encounters a stranger named Bentley, who claims to
be a UFO expert and that everyone else is dead. Bentley dashes off
and Crane hears more phantom operations. Soon Bentley's voice is added
to the reports, warning that there's no way out
for Crane and that he's going to die. He soon discovers Bentley
dead with a wet-suited Patterson the apparent killer. Pat claims self
defense and throws in with Crane, but is himself soon killed.
Nelson, Sharkey and Kowalski finally show up and put Crane on trial
for the death of Patterson. Crane escapes, makes his way
to the missile room and throws himself into a circuitry panel
to short circuit the missiles that Bentley, has fired. In the melee,
Bentley is killed. When Crane comes to, he finds things
pretty much back to normal. Nelson explains that everything Crane
experienced was a delusion created by the aliens as a test. Except
for the missiles, which actually did fire. Crane is a hero once
again.
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Written: Sidney Marshall Directed: Charles
Rondeau Guest Cast Jim Bentley....................Paul
Mantee
Paul Mantee as
Bentley gets collared by an angry Captain Crane
| | Mark says: A blooper in Act I as Crane shakes
Bentley and yells, "Why did you kill
me?" He quickly amends it to, "Why did you TRY to kill me?" A
budget-saver but it has its creepy moments.
Mike says: Considering that it's
season four--a great episode. Well written, directed and
downright eerie in spots. David Hedison's scenes with
the guesting Paul Mantee are tight and intense. The scene
with Nelson and company putting Crane on trial for Patterson's
murder truly is a nightmare. An aptly titled and very
successful outing. |
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The Abominable
Snowman (Airdate: February 4, 1968) STORYLINE
Seaview heads south to check on the
fate of the Paulson Antarctic Expedition. As Nelson and
company approach the coordinates of Paulson's home base, the water
temperature soars and against all logic, Crane locates a tropical forest
where Paulson's base is supposed to be. An unconscious Paulson and
one of his assistants (Rayburn) are given over to Doc's charge as Nelson
tries to decipher the researcher's notes. Incredibly, they are
all that is left of an expedition of over two-dozen. Soon, the
Abominable Snowman of the episode title is raising havoc,
turning the submarine upside down, crushing the life out of several
hapless crew, and eventually Rayburn as well. Paulson's
ill-conceived project to turn Antarctica into habitable
territory is sending the world's weather askew and Nelson is
ordered to destroy Paulson's work. When Crane finally kills the
Snowman, it momentarily reverts to its true form, professor Paulson,
then disappears. Seaview blasts Paulson's tropical base to
smithereens and temperatures and the world's weather return
to normal.
Written: Robert Hamner Directed: Robert Sparr Guest
Cast Hawkins.........................Bruce
Mars Rayburn.........................Dusty
Cadis Snowman.....Darryl Scott McFadden Snowman’s
Voice.........Ronald Gans Corpsman....................Frank
Babich Kowalski’s friend_______________ |
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| Trivia: Robert Sparr had clashed with a
couple of the actors on Star Trek when he directed the episode, "Shore
Leave," so Irwin Allen quickly
recruited him for Voyage. Sparr was tragically killed in a plane crash in 1969
while scouting movie locations.
Mark says: This episode
terrified me as a kid but flat direction by the usually reliable Bob Sparr
robs the monster of much of its menace. The acting of Dusty Cadis in
the storage room must be seen to be believed. There’s still some creepy,
claustrophobic atmosphere and crewman Hawkins’ desperate (and doomed) run
for life is chilling.
Mike
says: For some reason, the charcoal eyes
always always bothered me. It was impossible to avoid the
feeling that buried somewhere in all that carpet was a
zipper. |
Secret of the
Deep (Airdate:February 11, 1968) STORYLINE
An unknown power is out to blackmail U.S. shipping, and
John Hendrix of Allied Intelligence is on board Seaview to pursue the culprit;
he relentlessly pushes Crane for success and explains to Nelson, who
is caught in the middle, that a hostile power is using biological mutants
to get its way. Seaview is heavily damaged by an electronic bolt, and
after makeshift repairs, Hendrix demands Crane take her down again. Nelson
strikes a compromise, agreeing to go down in the diving bell. He
is almost caught by a giant undersea monster. As it turns out,
Hendrix is a double agent who is working against Nelson & company. He
tips off a secret undersea base when the Admiral and Sharkey head
its way in the Flying Sub. The two again narrowly escape disaster,
return to Seaview and struggle to engage Hendrix, who eventually leaves
the sub in order to supervise her destruction. He is promptly eaten by
one of his own mutants--a giant shark. Repairs are whipped up and a
torpedo or two finish off the undersea base and the mutant
creatures.
Written: William Welch Directed: Charles Rondeau Guest
Cast John Hendrix.......Peter Mark Richman Circuitry
crewman...Richard Vitagliano
Two-headed Carpet Monster makes yet
another guest appearance on Voyage
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| Mike
says: Lots of nifty, if oft-seen undersea critters in this
one. Of particular delight is the scene of Hendrix being eaten by
his own mutant shark (from the perspective of the shark's
tonsils.)
Mark
says: One ingenious way to use stock footage of whales, jellyfish
and giant fish is to pass them all off as enemy weapons of a foreign
power. Lots of action, sharp editing and Peter Mark Richman is
entertaining as Hendrix. It's funny how Hendrix is so inept in his
plans to kill Nelson and yet he's always calling up his flunkies
over the radio and blaming them for their errors! Also, Hendrix orders his people
to clear the area of all "dangerous denizens" so that he can escape,
so why is
the monster shark waiting for him?
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Man-Beast (Airdate: February 18, 1968) STORYLINE While Nelson works with Institute scientists
re-testing a new deep-dive breathing mixture back in Santa Barbara,
the wheelchair-bound Dr. Kermit Braddock directs a descent in the diving
bell to almost 40,000 feet. Crane is the human guinea-pig testing a new
breathing mixture that will allow such deep dives with no decompression time. Initially
unknown to himself or the rest of the crew, when Crane passes
out during the dive, he begins to undergo a gross transformation into
a werewolf-like beast. Discovering the problem with the
gas and unable to contact Seaview (a beast-crazed Crane has wrecked the
radio gear), Nelson takes the Flying Sub to Seaview with an antidote. Nelson
arrives to find Crane in a temporary state of reversion, horrified
that a crewman is dead and that he killed the man. In
reality, it is Dr. Braddock, able to walk after all, who killed the
man and who sent Crane down in the bell in an attempt to duplicate
the experiment--hunting for a reversal of a condition he also has.
Inevitably, the suffering Braddock is killed and Crane injected with the
antidote before it's too late.
Written: William Welch Directed: Jerry
Hopper Guest Cast Dr. Kermit Braddock....... Lawrence
Montaigne
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| Mark says: A rather jarring and whiny music score makes it tough going
but Lawrence Montaigne brings real pathos to the role of Dr.
Braddock. The makeup shots in shadows are effective and the glimpse
we get of the dying Montaigne is creepy, as is Crane's "monster face"
during the conclusion in the diving bell.
Mike says: Disagreement on the music score thing. Leith Stevens' score gives
this episode what so many later-season Voyages
lack--forward drive. Energy oozes from the soundtrack as
every filmic element comes together. An intelligently written monster
story. Crane's
suffering under the influence of Hendrix' gas
is palpable. Superbly
acted on all accounts. Directed with push and drive. This episode
is a great example of the fact that yes, you can
do an effective monster show. The key is in the
writing. | |
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