Voyage to the Bottom of the
Sea
Episode
Guide,
Year One, shows 27-28.
Production information and notes by Mark Phillips
Story synopses, Mike
Bailey
The Exile (Airdate: March 15, 1965) STORYLINE: |
Seaview is ordered to rendezvous with a ship carrying the fugitive ex-premiere of an openly hostile country -- one Alexi Brynov. Brynov's on the run, having just avoided death by firing squad which we come to find, he would most assuredly deserved. Nelson surreptitiously approaches Brynov's ship in the minisub in order to assay the credibility of valuable microfilm the former dictator supposedly has. What Nelson doesn't know is that even at that moment, Brynov is working on a violent plot to regain power. Meanwhile, Seaview comes under attack and must withdraw from her strategic position. | Surly Brynov faces firing squad, but will escape. |
Simultaneously, an aircraft attacks Brynov's ship, blowing it to smithereens. The survivors, including Nelson, pile into a lifeboat and the struggle to stay alive begins as more and more people are pulled into the tiny raft. |
Unfortunately, they soon encounter Brynov; waterlogged but alive, he further burdens the overloaded raft. He immediately starts ranting, wondering who was the turncoat who called in the attacking airplanes. The men take turns in the water to keep the raft from flooding, but when sharks show up, they all try to pile back in. Brynov hauls out a gun and starts shooting; three of the survivors die. As supplies run low, the tension mounts, and one by one, Brynov eliminates them until only he and Nelson are left. |
Waterlogged Brynov dragged from the sea. |
Nelson, now aware that Brynov's real plan is to start a war between his country and the US, is wounded. A storm arises, the raft flounders and Nelson finally gets the gun, but it may be too late. They have no food or water left and both men are delirious, near death. |
Unfamiliar with the ocean's ways and out of water, Brynov drinks saltwater and is soon incapacitated. Nelson is sorely tempted to kill the monster on the spot, but restrains himself with the consolation that Brynov's people deserved to be the ones to eliminate him. Nelson awakes aboard Seaview, having been rescued unconscious, to find that he is the sole survivor – Brynov has died. The Admiral finds little compassion or sorrow in his heart for the ex dictator. |
Mark Says: The old "trapped in a lifeboat" routine and it is stupefying. The emptier the lifeboat gets, the less interesting the drama becomes. Nelson and Brynov’s battle for survival is an overblown endurance test for the viewer. Mike Says: In spite of the fact that the trapped-in-a-lifeboat formula is stultifying and the telling of it not particularly energized, it remains that this episode, typical of season one, takes a moral position and tries to make a point (by exploring Brynov's ruthlessness.) Not William Read Woodfield's best writing, which is to put in kindly. |
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The Creature
(Airdate: March 22, 1965) STORYLINE: |
At an island research center, Captain Wayne Adams makes the decision to continue a missile launch after a strange resonant sound rolls through launch control and creates potential problems. The potential becomes real when the rocket blows up on its pad and kills some of the crew. His superiors believe the problem was man-caused sabotage; Adams suspects otherwise and becomes obsessed with clearing his name from any suspicion. Regardless, when he shows up on Seaview, he acts like a pushy, arbitrary jerk as the search for the accident's catalyst begins. In spite of false leads and bickering with the crew, Adams finally gets his man, er, as it turns out — fish! | Leslie Nielsen played Capt. Wayne Adams. |
Incredible Model work of the Giant Manta. |
It's a mon-strously huge manta ray that creates intense ultrasonic waves. Crane and Adams manages to catch a young version of the creature which they intend to study. | Contact sport with giant manta. |
The small ray sends out signals... |
apparently communicating
with the adult... |
in the ultrasonic range. |
At this, the giant becomes even more persistent about tailing and attacking Seaview. The submarine's life support system is knocked out, and Nelson confronts Adams about his irresponsibility, at which point Adams locks himself in the lab and unknown to Nelson and crew, sends out ultrasonics to attract the creature. |
This brings on more dangerous attacks even as the crew works on cutting through the hull to get at him. Nelson retires to the lab and works up an anti-ultrasonic gun that stops the attacks. In the end, Adams leaves the sub to try to kill the creature. Crane and Nelson go after him and destroy the creature with explosive-tipped spear guns. Adams will have to face trial for his rash actions. |
Image courtesy Luis Ramos Janeiro |
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Mark Says: The giant manta ray pivoting and crashing into Seaview during the battle scenes is astonishing. There are some story contrivances, such as Adams continually getting the better of the crew, but Leslie Nielsen adds star power to his role and the show has great special effects to back up its action sequences. Mike Says:
In my original comments for this episode, I made the statement that
the effects work on this show was "nice." It had been
many years since I'd viewed the episode and did not remember just how
astonishing it is. It is very hard to create biologicals (the giant
manta) with models. Episodes like The Ghost of Moby Dick and Jonah
and the Whale did a pretty fair job with their whales. But the work
on the giant manta for this episode is astonishing. When originally
broadcast, the definition of available TVs was inferior to what it is
today. The guide wires used for model control simply weren't visible
like they are in some scenes on today's televisions and computer monitors.
Being able to see them now is, in a way, a great lesson on how these sort
of effects were created. (Note...if
this had been a movie with greater budget and shooting flexibility, those
shots in which wires were visible would not have been used. They
would have been re-filmed with adjustments to the lighting, or guide wires
made. As it was, the lower definition of 60s televisions made this
unnecessary.) |
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