Voyage to the
Bottom of the
Sea |
The Monster From Outer Space December 19, 1965 |
An automated space probe picks up an organic life form which is later apparently killed on fiery reentry into earth's atmosphere (it gets pretty hot). |
Divers
are sent to retrieve the probe, but find contagion growing all over
it. Torches are used on the growth and it seems to shrink
away. Upon retrieval, Nelson orders a thorough decontamination
which leaves no detectable trace of the creature. |
is taking over crewmen. Riley is one of the first to go, followed by Kowalski and others. All have instructions from the creature that the whole crew must be controlled. |
In the missile room, Riley first espies the hideous beast. |
Nelson radios Seaview about the discovery of life on the instrument packet and warns that traces may remain on the capsule. But it's too late; crew are being taken over at an alarming rate. Crane eventually becomes suspicious and locks himself in his cabin with a gun. |
Nelson wires up. |
Unfortunately, the life form in giant size comes bursting through the cabin wall and Crane is taken over. When Nelson and Sharkey return to Seaview, the game's afoot to control them as well. The two retire to the lab and concoct an electrical shock trap, which, using Nelson as the bait, successfully kills the creature. With the passing of its influence, everyone returns to normal. | The thing attacks Nelson. |
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Trivia: Voyage has had its share of famous fans. In her recent autobiography, Melissa Gilbert (Laura on TVs Little House on the Prairie) recalls that Richard Basehart was one of her favorite guest stars on Little House because he had been starred as Admiral Nelson on one of her favorite shows, Voyage. In an interview before his death, John Lennon recalled some of his favorite TV shows, one was the then-current Dallas, another was Voyage. Mel Gibson referred to Voyage fondly on Arsenio Hall's TV show and Novelist Jacqueline Suzanne loved Voyage and posed for photos with the cast on the set. And when film star Victor Mature visited the Voyage set in 1965, Irwin Allen put him to work for a day and cast him in a unbilled cameo as a radio officer in the background. |
Mark Says: The low point of year two. Although this "alien-on-the-loose" story has more sub-text than later alien stories, it’s still a very unpleasant and limited story, with a giant balloon playing the alien. Only Wayne Heffley, as Doc, looks convincingly possessed (with his blank smile and glazed eyes). And what gives with the strange radio officer? The guy sits there without moving or blinking. A department store dummy? |
Mike Says:
Yes, this is
a monster-on-the-loose episode. But it's mounted in high fashion (there's budget)
and it's NOT dull. There is a reason it's NOT dull. It
was directed by James
B. Clark, who had, for years,
cut his teeth editing films for top directors such as Howard Hawks, Leo
McCarey, Samuel Fuller, Joseph L Mankiewicz and John Ford. There is
movement o-plenty, and seldom a slack moment throughout. Although
the premise of the episode is suspect and a foreshadow of what would
become standard fare in year three, the execution is not. There is
no man in a rubber suit. There is no Dick Tufeld "You will obey!"
monster dialogue. There is
a kind
of peek-a-boo, now you see it, now you don't nature to the creature's
comings and goings that I still find fascinating and somewhat reminiscent of
the "bear" in the Outer Limits episode "It Crawled Out Of The Woodwork." As far as the creature goes, there
was no computer animation back then. Short of full cell animation
or stop-motion photography, inflating and deflating balloons was probably the
only way to represent the creature. The underwater shots are fairly
believable. The dry-land footage holds up less well. I think
that, if taken alone, this show is not as execrable as it has been
pigeonholed. In fact, I kind of like it. Go figure.
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