Voyage
to the Bottom of the Sea Production information and notes by Mark Phillips Story synopses, Mike Bailey |
Killers of the Deep Airdate: January 2, 1966 |
An enemy sub is plucking missiles from the bottom of the ocean and Nelson and Crane go after them in the Flying Sub which the bad guys manage to shoot down. |
FS1 hit by enemy missile. |
Crane down in the water. |
Likewise, the Admiral. |
Crane winds up separated from Nelson and is taken captive by the enemy submarine's Captain Ruiz who tells Crane that he's already stolen three missiles and needs one more to make his country a major power. The luckier Nelson is rescued by the destroyer, USS Macklin, and proceeds, unaware of Crane's predicament, to pursue the enemy sub in cooperation with Macklin's captain. A game of cat and mouse ensues, with Captain Ruiz exacting first blood -- one of two torpedoes explodes, killing among others, the Macklin's captain. |
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Nelson takes over, managing to disarm a second torpedo (unexploded but armed), and then goes after the enemy sub. Crane meanwhile, handcuffed in storage, manages to escape and gets loose into the enemy sub's air duct system. He bangs away on pipes to give the Macklin a sound source to tracking her. And on board the Macklin, track her Nelson does. Though later torpedoed again, Macklin manages to ram the enemy sub, from which Crane escapes before it sinks. Crane's escape is told in harrowing footage skillfully blended from "The Enemy Below" a film which featured special effects by Voyage master L.B. Abbot and makeup by Voyage master Ben Nye, A perfect match of stock footage to story. |
Enemy sub is hit and bleeds oil. |
Macklin rams
Ruiz' sub with Crane aboard. |
Crane battles
Ruiz at climactic finish. |
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Mark Says: This one worked better for me in the 1970s, when I first saw it. The juxtaposition of WWII maneuvers and sci-fi sub format don’t mesh as well today. It’s still reasonably entertaining and the stock footage from The Enemy Below is exciting and seamlessly edited into the show. |
Mike Says: It was a particular thrill in season two to encounter an episode of Voyage which returned to season one's level of dead-serious, gritty intensity. There were no outrageous schemes or villains to be found and the episode plays realistically once you get past the premise of stealing nuclear weapons with a basically obsolete world war two sub. William Read Woodfield turns in a tight script and the reliable Harry Harris directs this episode with punch. Great music culled from the Voyage library. The entire episode is loaded with fine L.B. Abbott miniature photography. |
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